When I first opened Midjourney, I wasn’t looking to replace anything—I just wanted to explore faster ways to express creative concepts. Budgets were tight, timelines tighter, and I was hunting for a tool that could help me show clients the potential of a direction—visually, quickly, and with impact.
What I found was more than speed. It was possibility.
Like a lot of people, I started with complex prompts, hoping more words would yield better results. Eventually, I pivoted. I began layering in simple prompts with deep digital reference, leaning heavily on Midjourney’s SREF system and moodboard-based workflows. That was the unlock: treating Midjourney less like a generator and more like a creative partner.
One of my biggest “a-ha” moments came when I realized I could use it to sell ideas. Not just decorate decks. It gave form to concepts in a way that felt rich, expressive, and sometimes awe-inspiring.
Midjourney isn’t always predictable—and that’s part of the fun. When wild or abstract results popped up, I didn’t dismiss them. I studied them. Tried to recreate them. Like any creative tool, the happy accidents are often the most memorable.
To create consistency, I began combining moodboards and sharing personalization codes with colleagues to help them achieve similar results. I haven’t formalized a prompt library yet, but I’ve found ways to build a recognizable style through experimentation.
Of course, Midjourney has limitations. Typography is still clunky. Resolution used to be a problem (and is quickly improving). But for early-stage design thinking, it’s become a core part of how I work. It’s not a crutch—it’s a creative accelerant.
And no, I don’t think it’s “too good.” It still requires human taste, intuition, and storytelling. That’s what brings it to life.
While Midjourney has been my go-to for stylized, art-directed visuals, it’s not the only player in the space. Each model brings its own strengths—and understanding the differences helps you pick the right tool for the job.
As creative tooling evolves, I’ve found value in blending models—starting with Midjourney for ideation, refining in Photoshop, and using tools like DALL·E or Firefly for specific tweaks. It’s not about choosing one. It’s about understanding how they complement each other.
I’d recommend Midjourney to any designer—as long as you’re open to learning. It rewards curiosity, not control. My advice? Don’t just prompt it. Play with it. Explore. Make mistakes. And most importantly, use it to shape ideas, not just aesthetics.
AI won’t replace creativity—but it’s becoming an incredible way to amplify it.
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